"I see you think she may refuse to discuss it at all," said Owen. "Oh, she thinks they're all right!"!

"No, it hadn't arrived. I came up for the night—I've several matters to attend to." Then looking with an intention of fixedness from one of her companions to the other, "I'm afraid I've interrupted your conversation," Mrs. Brigstock said. She spoke without effectual point, had the air of merely announcing the fact. Fleda had not yet been confronted with the question of the sort of person Mrs. Brigstock was; she had only been confronted with the question of the sort of person Mrs. Gereth scorned her for being. She was really, somehow, no sort of person at all, and it came home to Fleda that if Mrs. Gereth could see her at this moment she would scorn her more than ever. She had a face of which it was impossible to say anything but that it was pink, and a mind that it would be possible to describe only if one had been able to mark it in a similar fashion. As nature had made this organ neither green nor blue nor yellow, there was nothing to know it by: it strayed and bleated like an unbranded sheep. Fleda felt for it at this moment much of the kindness of compassion, since Mrs. Brigstock had brought it with her to do something for her that she regarded as delicate. Fleda was quite prepared to help it to perform, if she should be able to gather what it wanted to do. What she gathered, however, more and more, was that it wanted to do something different from what it had wanted to do in leaving Waterbath. There was still nothing to enlighten her more specifically in the way her visitor continued: "You must be very much taken up. I believe you quite espouse his dreadful quarrel." These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!"

Mrs. Gereth, holding her mantle together, appeared for a while to consider. "Alone?" "Why must I?" Fleda asked after a moment.